Disco

Jan 28, 2015 — Canadian filmmaker Atom Egoyan has directed fourteen features, including The Adjuster (1991), Exotica (1994), The Sweet Hereafter (1997), Ararat (2002), and, most recently, The Captive (2014). He writes, “Rather than a top ten, these are ten films with which I...

These stories of discovery and disillusionment capture lives transformed by the open road.

Oct 30, 2012 — “I discovered Criterion in the late eighties with the laserdisc of
 Citizen Kane, which I still watch,” writes director William Friedkin, whose films include The French Connection, The Exorcist, Sorcerer, and 2011’s Killer Joe. “Since switching to DVD and Blu-ray,...

Nov 21, 2008 — Dennis Lehane is best known for his novel Mystic River, made into the acclaimed film by Clint Eastwood. When we discovered his love for Criterion, we asked him to write for us, and he did, contributing a terrific essay to...

Jul 9, 2007 — The names Hiroshi Teshigahara, Kobo Abe, and Toru Takemitsu loom large among Japanese intellectuals of the late twentieth century. Each in his own right was an artist of peculiar genius, each resisting easy classification in conventional categories: Teshigahara as filmmaker,...

Mar 14, 2005 — A director is naturally a man like everyone else. Yet his life isn’t normal. For us, seeing is a necessity. For a painter, too, the problem is to see. But while the painter has to discover a static reality, or...

Mar 10, 2003 — The Swedish director of I Am Curious explains how he fused the themes of eroticism, self-exploration, voyeurism, and nonviolence into a film about the new freedoms of the young. QUESTION: I Am Curious seemed to be a cinematic Tristram Shandy,...

Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Feb 19, 2001 — Michael Powell and Emeric Pressburger’s romance film spins a web of myth and evocative symbolism around its central search for self-discovery.

Nov 13, 1991 — Richard Lester’s Help! was the first of a new kind of rock-and-roll movie which altered the shape, face, and form of rock music. Before Help!, most of the rock-and-roll genre movies were simple, self contained films conceived in the narrowest...