The Criterion Collection
Essays
Feb 18, 2008 — At the climax of Alex Cox’s Walker (1987), a helicopter descends from the night sky onto a plaza where the colonial buildings are ablaze and an army of mercenaries is disintegrating . . .
Mar 16, 2017 — Bill Condon is a celebrated film director and Oscar-winning screenwriter. His most recent projects include Disney’s Beauty and the Beast, the drama Mr. Holmes, and a revival of the musical Side Show, which premiered at Washington, D.C.’s Kennedy Center before...
May 23, 2024 — Celebrating a forty-year career, DCTV presents a twenty-four-film retrospective.
The Daily
Mar 27, 2026 — Remembering a prolific and impactful writer, artist, philosopher, film director, and television producer.
The Daily
May 7, 2024 — This year’s edition features work by Michel Khleifi, Antoinetta Angelidi, Amit Dutta, Raúl Ruiz, and Tsai Ming-liang.
May 5, 2022 — Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...
The Daily
Oct 1, 2021 — This week we’re celebrating Haile Gerima, reading the new Cinema Scope, and listening to Julie Delpy.
Features
Jan 13, 2021 — About a decade ago, I went to see Welcome, or No Trespassing at Spectacle. It’s still the only time I’ve known anyone to project the movie, a 1964 satire of Soviet summer camps that was the debut feature of Elem...
Aug 10, 2020 — A slyly feminist film by the only woman directing in the Hollywood studio system of her thirties-and-early-forties heyday, Dorothy Arzner’s Dance, Girl, Dance stands as one of the era’s most groundbreaking—and entertaining—backstage sagas. And as it turned out, a different...