The Criterion Collection
Nov 18, 2025 — A pre-Code aviation epic that makes pioneering use of the era’s innovations in cinematic color and sound, Howard Hughes’s directorial debut was Hollywood’s first modern portrait of World War I.
Nov 12, 2025 — In this Sundance-award-winning exploration of war and memory, writer Cathy Linh Che shines a spotlight on her parents, who were Vietnamese refugees living in the Philippines when they were cast as extras in Apocalypse Now.
Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.
Oct 27, 2025 — The self-trained filmmaker examined postindependence Nigerien society in morality tales that showcased his visual ingenuity and sly sense of humor.
Oct 24, 2025 — It is hard to conceive of a film more dazzlingly, dizzyingly divided against itself—or one more appropriately so—than this delirious creation of screenwriter Paddy Chayefsky and director Ken Russell.
The Daily
Oct 23, 2025 — This scary season brings two new books on films by Nicolas Roeg and extensive documentation of a project Chaplin never realized.
Oct 2, 2025 — In Wes Anderson’s romantic ode to journalism, the director grapples with the danger and horror inherent in any field of endeavor worth pursuing.
The Daily
Oct 1, 2025 — With two films set to open next month, Richard Linklater programs a series of French New Wave classics.
Sep 30, 2025 — Made with a formal control unparalleled in modern American cinema, the films of this utterly distinctive auteur seek to contain and understand an uncontainable, unknowable world.
The Daily
Sep 24, 2025 — She won the hearts of audiences and costars in The Leopard, 8½, and Fitzcarraldo.