Ars

Jan 17, 2018 — The Berlin International Film Festival has now completed the lineups for two of its programs, Forum Expanded and Generation. Back in December, the Berlinale announced a first round of Generation titles selected for younger viewers, so what we have today...

Jan 13, 2018 — New York. Martin Scorsese Presents Republic Rediscovered: New Restorations from Paramount Pictures is a two-part series organized by Dave Kehr, a curator in the film department of the Museum of Modern Art, in association with The Film Foundation and Paramount...

Dec 26, 2017 — On January 5, First Look 2018 will open at the Museum of the Moving Image in New York with the U.S. premiere of Blake Williams’s PROTOTYPE, “a work of speculative fiction that takes its starting point from the 1900 hurricane...

Dec 18, 2017 — The new Winter 2017 issue of Cineaste is out and the highlight of what’s online would have to be the interviews, four complete “Web Exclusives.” Dennis West and Joan M. West talk with documentarian Pamela Yates about completing her Guatemalan...

Dec 15, 2017 — Unknown Pleasures, Berlin’s American Independent Film Festival programmed by Hannes Brühwiler and Andrew Grant (full disclosure: they’re friends), has announced the lineup for its ninth edition, running from January 12 through 28 at the Kino Arsenal and WOLF.Not only is...

Dec 4, 2017 — The week begins with good news: Wes Anderson’s stop motion animated film Isle of Dogs will open the sixty-eighth Berlin International Film Festival (February 15 through 25). As the Berlinale reminds us, this is “the story of Atari Kobayashi, twelve-year-old...

Dec 1, 2017 — New York. Gothi(c), a series running throughout December at the Metrograph, “traces the cinematic evolution from the Gothic (represented by such films as Bride of Frankenstein and Rebecca, both showing Sunday, and Jack Clayton’s The Innocents, based on a Henry...

Nov 10, 2017 — New York. “The star of Lost Landscapes of New York is the city itself—or rather the city of dreams and memories,” begins Manohla Dargis in the New York Times. “Created by the archivist Rick Prelinger, this wondrous compilation turns old...

Oct 19, 2017 — New York. “Feverish, fragmented, expressionistic, The Sin of Nora Moran (1933) is one of the most formally daring films to come out of Hollywood in the early sound era,” begins Imogen Sara Smith in her overview for Film Comment of...

Oct 10, 2017 — New York. “It doesn’t seem like a coincidence that the Museum of Modern Art would screen a film series called Black Intimacy mere months after the Academy Awards had three films in its Best Picture category—Fences, Hidden Figures, and eventual winner Moonlight—that mostly focused on intimate...