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Arrival

Jan 18, 2022 MoMA’s festival of film preservation presents Beat poets, crown jewels, a lonely Hungarian, and a Senegalese bad boy.

Dec 7, 2021 As his latest feature arrives in the U.S., the director has already begun work on his next one.

Dec 7, 2021 Regina King’s feature-film directorial debut envisions the true-life convergence of four prominent Black figures with empathy and moral urgency.

Dec 3, 2021 What do amphetamines, intellectual property, and Sour Belts have in common? They all correspond to a letter of the alphabet that structures the world of Don’t Go Tellin’ Your Momma, the short-film companion to musician and filmmaker Topaz Jones’s funk-infused...

Nov 30, 2021 Lost films are not the only tragedy of the silent age. It’s time that we counted up all the forgotten stories, and the overlooked connections as well. The truth is that lost films and lost memories can’t be separated. One...

Nov 23, 2021 The End In the end, it should not have come as any kind of surprise. When Alfred Hitchcock’s Vertigo dethroned Orson Welles’s Citizen Kane (1941) as the greatest film of all time in Sight & Sound magazine’s international poll of...

Nov 2, 2021 As Denis Villeneuve prepares Dune: Part Two, writers delve into the religious and political ideas that inform the new franchise.

Scary Stories

The Daily

Oct 29, 2021 A lost Iranian melodrama returns, Reverse Shot and Caligari tell us scary stories, and Robert Mitchum is the star of Noirvember.

Loss and Renewal

The Daily

Oct 1, 2021 This week we’re celebrating Haile Gerima, reading the new Cinema Scope, and listening to Julie Delpy.

Sep 28, 2021 Melvin Van Peebles’s feature debut riffs on the French New Wave to tell a love story that portrays interracial intimacy and unflinchingly confronts the distortions of racism.

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