The Criterion Collection
The Daily
May 28, 2024 — With just a few exceptions, critics are generally pleased with this year’s awards.
Aug 30, 2016 — Set in nineteenth-century Macao, Orson Welles’s adaptation of a classic tale by Isak Dinesen is a hypnotic meditation on the pitfalls of storytelling.
Dec 9, 2013 — The critic and WCP executive director offers a personal take on art cinema and a primer on the project’s scope and mission.
Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.
Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.
Aug 31, 2017 — Guillermo del Toro’s The Shape of Water, premiering in Competition in Venice and screening as a Special Presentation in Toronto, is a “ravishing, eccentric auteur’s imagining, spilling artistry, empathy and sensuality from every open pore, [offering] more straight-up movie for...
Feb 19, 2016 — The filmmaker, who began his career as a stage director and designer before shifting his focus to movies, swung by for a chat about his new film and his lifelong affinity for the macabre.
Essays
Jan 7, 1991 — Vittorio de Sica remembers the inspirations behind and the making of his classic film.
Sep 6, 2023 — Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.
The Daily
Sep 22, 2025 — The LA genre festival presents a doc on a reviled sequel as well as the latest features from Radu Jude and Lucile Hadžihalilović.