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Aug 15, 2025 Julia Loktev issues an urgent warning and Paul Thomas Anderson makes an action movie.

Sapph-O-Rama

The Daily

Feb 2, 2024 Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”

Jan 31, 2024 Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.

Oct 11, 2023 The shock of Davies’s passing is compounded by the sinking realization that cinema has lost one of its most singular artists.

Aug 10, 2021 Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.

True/False 2020

The Daily

Mar 5, 2020 One of the most vital showcases of new nonfiction work is now on through Sunday.

Cracking Cannes

Features

May 13, 2015 Cannes is complicated. To the first-time visitor, it seems a blur of parties, dinners, and screenings, and wherever you are, you are constantly troubled by the thought that the really hot screening or the really hip party is happening elsewhere.

Apr 24, 2012 Among the most widely seen photographs of Hollis Frampton is one of him as a young man, a self-portrait taken in 1959, if we are to trust the narration he composed to accompany its inclusion in his 1971 film (nostalgia)....

Dec 25, 2008 Robert Rossellini’s efforts to put history into images would yield some forty-two hours of “didactic” movies, mostly for television.

Apr 23, 2001 A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.

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