The Criterion Collection
The Daily
Jul 18, 2023 — In her music, her films, and her often stormy romances, Birkin captivated us for more than half a century.
Essays
Nov 14, 2012 — Jean Luc Godard’s exuberant, multipronged attack on the bourgeoisie is both theater of the absurd and political horror.
Jun 26, 2000 — Kevin Smith writes about his third feature as a sort of penance/valentine for the woman who made him grow up.
The Daily
Jul 8, 2026 — Around five hundred films—restorations, revivals, rediscoveries—screened last month in Bologna.
Mar 29, 2023 — The Brazil-based programmer discusses her transnational, oppositional approach to curating the daring lineup for Opacity, which was presented at the Flaherty Seminar in 2021 and is now available on the Criterion Channel.
Essays
Oct 5, 2021 — Kaneto Shindo’s visceral erotic-horror film centers on a dangerous duo of women fighting to survive while men are away at war.
The Daily
May 28, 2021 — This week: Anarchy on screen, a pre-Code barroom brawl, an essay on Julie Dash, and conversations with Jia Zhangke and Sergei Loznitsa.
The Daily
Feb 18, 2021 — We’re reading about Visconti, Fellini, Tom Stoppard, Eartha Kitt, and Anton Walbrook.
The Daily
Sep 6, 2017 — New York. Back in April, Film Forum presented The Complete Wiseman: Part 1: Early Wiseman, the first half of a Frederick Wiseman retrospective that, as Matt Prigge notes in the Village Voice, “covered the prolific and pioneering documentarian’s angriest period.”...
May 26, 2017 — “After a foray into relatively restrained period filmmaking in the recent, World War I-set Frantz, François Ozon is back to his old tricks—and really, who's complaining?” asks Jon Frosch in the Hollywood Reporter. “Premiering in competition at Cannes, the French...