The Hindenburg

Aug 13, 2018 — This year’s edition will feature new work from Tsai Ming-liang, Jodie Mack, Albert Serra, and Laida Lertxundi.

Aug 7, 2018 — Can creative genius flourish on the federal dime? Animator Norman McLaren’s remarkably innovative, government-funded films suggest it can.

Jul 27, 2018 — In one of the most stunning technical feats in their filmography, directors Michael Powell and Emeric Pressburger envisioned a conveyance that sends souls into the great beyond.

Jul 16, 2018 — In this essay originally published in the New Yorker, Roger Angell hails Ron Shelton’s comic ode to baseball as one of the few movies to capture the essence of the sport.

Jul 12, 2018 — The director of Bull Durham explains the ins and outs of bringing baseball to the screen and why Kevin Costner is the finest athletic actor he’s worked with.

Jul 2, 2018 — An exhibition of on-set photography by Raymond Cauchetier and Georges Pierre opens in Paris.

Jul 1, 2018 — In one of Criterion’s earliest commentary tracks, Martin Scorsese and Paul Schrader talk about how they got lucky with their gripping New York City classic.

Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.

Jun 21, 2018 — How much can a film turn the tide on American violence? Michael Moore and archivist Carl Deal reflect on the moral urgency that gave rise to one of the most talked-about documentaries of all time.

Jun 17, 2018 — “The music for A Woman Under the Influence is basically about love,” says Bo Harwood, the longtime collaborator of John Cassavetes’s who composed that film’s score. “It’s about loving somebody, loving your family, loving them no matter what.” This purity of emotion...