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Apr 2, 2021 This week people are writing and talking about Eric Rohmer, Michael Mann, Adam Curtis, the new Jump Cut, and the king of the “geezer teasers.”

Mar 31, 2021 It has seemed to me for a long time that there is far too little screaming about Albert Brooks. It has seemed that way to all of his staunchest fans, who secretly relish being among the evolved few who know...

Mar 30, 2021 Mike Leigh’s midcareer masterpiece is one of the finest examples of his ability to construct riveting drama from ordinary life.

Mar 26, 2021 In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious.

Mar 25, 2021 One of the most beloved performers of the 1970s staged two comebacks in his later years.

Mar 24, 2021 Performances By the time The Manchurian Candidate was released in 1962, Frank Sinatra had been on American screens and in American hearts for nearly two decades. His bobby-soxers had been displaced by Elvis fans, who had been displaced by Beatles...

SXSW 2021 Awards

The Daily

Mar 22, 2021 Here’s what the critics have been saying about the winners of the two main competitions.

Mar 16, 2021 This year’s virtual edition offers seventy-five features over five days.

Mar 10, 2021 For about five minutes in Alan J. Pakula’s The Parallax View, the lights go down on our movie and we’re shown another—an increasingly deranged propaganda short designed to suss out whether someone is Parallax material. That is to say, an...

Mar 9, 2021 “Oral tradition is a tradition of images. What is said is stronger than what is written; the word addresses itself to the imagination, not the ear. Imagination creates the image and the image creates cinema, so we are in direct...

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