The Criterion Collection
Features
Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.
Features
Sep 20, 2024 — With their virtuosic celebrations of death, giallo films reflect the air of paranoia and fear that haunted Italian society in the 1960s and ’70s, a period when the country was undergoing dramatic, violent changes.
The Daily
Sep 13, 2024 — Will we ever see Ezra Edelman’s Prince documentary? Plus Chantal Akerman, Demi Moore, and the waning of “elevated horror.”
Aug 20, 2024 — In her formally daring debut feature, Martha Coolidge stages a confrontation with the subject of date rape that questions the kind of “closure” required in conventional storytelling.
The Daily
Apr 1, 2024 — The show may be “resolutely low-risk” overall, but for many, the standouts are film and video works.
The Daily
Mar 29, 2024 — Notes on the past and future work of Martin Scorsese, Alejo Moguillansky, Pedro Costa, and Alice Rohrwacher.
The Daily
Feb 7, 2024 — Metrograph presents three of Gomis’s own features along with two he’s chosen for the weekend series.
The Daily
Nov 1, 2023 — Sandra Hüller meets Joachim Trier, Hayao Miyazaki predicts the future, and MoMA showcases Iranian cinema.
The Daily
Jul 20, 2023 — The eye candy pops, the gags fly, and the debate over what selling out even means anymore rages.
Jun 27, 2023 — With a divided self that reflected the fissures in his country in the wake of World War II, the most courageous and dangerous Italian artist of his generation transcended dogma and resisted affiliations.