The Criterion Collection
Nov 14, 1988 — It is sometimes as important to be in touch with the truths of your own time as it is to be in touch with its metaphors. 2001: A Space Odyssey, one of the most influential films ever made, constructed a...
Features
Aug 13, 2018 — From Jeremy Irons in Dead Ringers to Kazuo Hasegawa in An Actor’s Revenge, performers who multitask as several characters in a single film tap into the essential uncanniness of cinema itself.
Criterion Designs
Jun 30, 2016 — The film is is a high-water mark in the careers of its director, actors, and cowriter. But for design nerds, the contributions of Pablo Ferro, who designed the film’s iconic opening credit sequence, are just as notable.
Features
Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.
Short Takes
May 4, 2016 — If you listen back through cinema soundtracks from the past half century, you can hear movie music begin to shift from being mere melodious accompaniment to become its own means of storytelling. That’s what writer Sean Doyle argues in the...
Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...
Nov 4, 2010 — Angus MacLachlan is a playwright and screenwriter from Winston-Salem, North Carolina. His screen credits include Junebug (2005), directed by Phil Morrison and starring Amy Adams, Embeth Davidtz, and Alessandro Nivola, and Stone (2010), starring Robert De Niro. In selecting his...
Mar 27, 2009 — Thanks to IFC Daily’s David Hudson for tipping us off to a couple of top-notch articles this week marking the fiftieth anniversary of the French New Wave. That’s right, it was fifty years ago, in May to be precise, that...
Nov 21, 2008 — “Oh! What have you done to me? What an impossible task. To pick ten titles from the Criterion Collection is difficult enough, but to put them in any kind of order would defeat Ockham's sharpest razor,” exclaimed Nicolas Roeg, director...