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The Fall

Mar 20, 2013 Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.

Mar 11, 1993 Released the year before Close Encounters of the Third Kind and Star Wars, Nicolas Roeg’s terrestrial space opera is devoid of matte shots, models, or pyrotechnics, and it leaves us not wondering at the stars but grieving for ourselves.

Jul 27, 2026 Some read Thomson’s new book as an attack on cinema; others argue that they’re missing the point.

Cold War Visions

The Daily

Mar 31, 2026 A seven-film series in London takes measure of nuclear anxiety behind the Iron Curtain.

Feb 23, 2026 Juries, critics, filmmakers, and audiences debated politics from the first through the last day of this year’s edition.

Jul 1, 2025 Made nearly two decades into Fritz Lang’s Hollywood career, this brutal noir is designed for maximum velocity and impact, eschewing the director’s accustomed flourishes in favor of a stark literalness.

Dec 28, 2022 We’re getting real in January with a spotlight on cinema verité, a movement that revolutionized documentary filmmaking.

Dec 6, 2022 Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.

Apr 29, 2022 Channel Calendars This month on the Criterion Channel, we’re celebrating the career of one of our favorite contemporary American filmmakers—the independent, inquisitive, and ever-eclectic Richard Linklater—with a retrospective of beloved hits and lesser-known gems selected by the director himself. Take...

Nov 17, 2021 Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...

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