The Criterion Collection
Jun 25, 2009 — Robert Koehler takes a long “second look” at Death of a Cyclist in the summer 2009 issue of Cineaste, sizing up Juan Antonio Bardem’s 1955 political melodrama in terms of Spain’s national identity and the legacy of neorealism. Check it...
Jun 17, 2009 — Celebrations of the fiftieth anniversary of the French New Wave have been popping up all over, and now New York is also about to ride the crest. The Museum of Arts and Design and the Museum of the Moving Image...
Jun 10, 2009 — There’s a cornucopia for Tati fans over at Kristin Thompson and David Bordwell’s blog, Observations on Film Art and Film Art. In a new entry, Thompson spotlights painter Jacques Lagrange, a somewhat unsung collaborator on all of Jacques Tati’s films,...
Jun 10, 2009 — Kind Hearts and Coronets, that most wicked comedy of ill manners, had established Alec Guinness as an acting force—and coming so soon after he had disappeared into the role of Fagin in David Lean’s Oliver Twist, his dazzling embodiment of...
Jun 8, 2009 — The word “opera” doesn’t immediately come to mind when one thinks of Abbas Kiarostami. Such a grandly theatrical form would seem antithetical to the more minimalist film sensibility of the Iranian director (Taste of Cherry). But thanks to a surprise...
Jun 4, 2009 — Apparently, a group called the Secret Science Club threw a pretty happening Painlevé party in Brooklyn a few weeks ago. Seems we weren’t on the guest list (well, it is after all “secret”), so it’s a good thing that the...
Jun 2, 2009 — If you’ve seen John Huston’s wild Wise Blood, then you might want to know more about Flannery O’Connor, from whose debut novel the film is faithfully adapted. A good place to start would be Brad Gooch’s Flannery: A Life of...
May 31, 2009 — Apparently, things were as rough on the set of Lindsay Anderson’s This Sporting Life as they were on-screen. In a new piece for the Guardian, written on the occasion of a theatrical rerelease of the film in the United Kingdom,...
May 20, 2009 — Early in Shohei Imamura’s Intentions of Murder, the librarian Riichi distractedly peruses Herbert Marcuse’s Eros and Civilization while conversing with his clinging mistress, Yoshiko. One can read the reference in many ways: as a glancing jest, as an (uncharacteristic) Imamurian...