The Criterion Collection
Essays
Apr 24, 2000 — PREFACE Aman who dozes, his mouth half open, in front of a wood fire, lets slip some secrets from that night of the human body that is called the soul, over which he is no longer master. The sentry of...
Essays
Feb 1, 1999 — After finishing Diabolique, heralded French director-screenwriter Henri-Georges Clouzot (1907–1977) confessed that all he had intended was to make a picture that would “amuse myself” and please a young girl who hid under the covers and asked her father to frighten...
Essays
Mar 30, 1992 — John Schlesinger’s controversial masterpiece made moviegoers squirm with its bold, bleak portrayal of unrequited love, gay and otherwise, and it remains as jolting and thought-provoking as ever.
Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...
Sep 29, 2026 — In this tale of four privileged bachelors who embark on a trip to the Indian countryside, Satyajit Ray balances a biting critique of masculine fragility with splendid visual grace.
Feb 19, 2010 — The following transmission is an e-mail from September 2002, which I sent back to Criterion headquarters after spending a night at Hunter S. Thompson’s cabin in Woody Creek, Colorado, recording commentary tracks for the DVD release of Fear and Loathing...
The Daily
Jul 30, 2025 — The Cinematheque presents seven chilling and thrilling classics and one 3D oddity.
Jun 14, 2023 — In her deeply empathetic documentaries, the British filmmaker illuminates the lives of ordinary people who have quietly created new identities and possibilities for themselves.
Mar 10, 2023 — Primarily known as a costume and production designer, this multitalented visionary deserves to be more widely recognized as one of the most important creative forces behind the Czechoslovak New Wave.
May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.