The Criterion Collection
Feb 10, 2010 — Revanche begins with a reflection of trees in a lake at twilight. They’re seen upside down—an image of nature reversed—yet the earth is eerily calm. This almost otherworldly illusion arouses a viewer’s awareness of perspective, which is then disturbed by...
Essays
Oct 1, 2020 — Martin Scorsese’s World Cinema Project No. 3 An artist, critic, and scholar highly respected in his native Iran but too little known in the West, Bahram Beyzaie is a gifted autodidact of traditional and modern theater and performing arts, and...
Features
May 22, 2020 — Walking, like breathing, is something we do without thinking, an activity so common that pedestrian has as its second meaning uninspired, ordinary, dull. But when this action appears in a movie, it is revealed as more than the original mode...
On the Channel
Mar 30, 2018 — In a new conversation on the Criterion Channel, filmmaker Rebecca Miller talks about her formative experiences as a movie lover and what she’s drawn to in on-screen acting.
Jan 21, 2015 — Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?
The Daily
Dec 23, 2025 — Head into the holidays with roundtables to watch, articles to read, and podcasts to listen to.
Aug 31, 2022 — The veteran designer talks about her wide-ranging, three-decade career, which has included collaborations with rock icons like Nirvana and filmmakers like Sofia Coppola and David Lynch.
The Daily
Sep 29, 2020 — The renowned documentarian’s new feature is essentially a four-and-a-half-hour plea for a return to competence in government.
Visual Analysis
Sep 18, 2018 — One of cinema’s most charismatic canines shows off his comedic chops in Leo McCarey’s screwball masterpiece The Awful Truth.
On the Channel
Apr 16, 2018 — Filmmaker Daniel Raim took a pilgrimage to Japan to get his own firsthand look at some of the most iconic objects in the world of Yasujiro Ozu.