The Criterion Collection
Apr 21, 2009 — Fifty years ago today . . . Godard wrote this New Wave battle cry for the April 22, 1959, issue of the French journal Arts, on the news of François Truffaut’s The 400 Blows being selected to represent France at...
The Daily
Mar 2, 2026 — A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.
Aug 26, 2025 — Alice Wu’s feature debut is a romantic comedy in which the most compelling relationship is the one between a young queer Chinese American woman and her long-widowed mother.
Jun 12, 2025 — The acclaimed crime writer joins a producer of the 1999 adaptation of The Talented Mr. Ripley to discuss the cinematic incarnations of Patricia Highsmith’s shape-shifting, quintessentially American antihero.
Nov 19, 2024 — William Wyler’s adaptation of the Broadway musical celebrates the indomitability of vaudeville legend Fanny Brice, embodied by Barbra Streisand in an incandescent and remarkably vulnerable performance.
The Daily
Oct 3, 2023 — Echoes of the eighty-three-year-old director’s life and career are heard throughout his fourth feature.
Apr 16, 2020 — Performances If Richard Milhous Nixon, the thirty-sixth president, continues to inspire a morbid fascination in some of us, the reasons for this extend beyond the obviously exceptional aspects of his career—his reelection in 1972, one of the largest landslide victories...
Apr 9, 2018 — Ingrid Bergman’s work in her native Sweden was an early showcase for her dazzlingly precocious talent and emotional depth.
Oct 3, 2017 — In the print edition of the current issue of Film Comment, we find Luca Guadagnino saying that “the true generator of the movies I try to make is Jean Renoir, and A Day in the Country is really the alpha...
Jul 29, 2014 — The writer and director is inspired by Lawrence Kasdan’s classic comic drama to consider the joys and disappointments of the baby boomer generation that begot her.