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The Hustler

Jul 19, 2018 Deep Dives A tough, dirty gangster picture that delivers the requisite payload of violence and bastardly behavior, Giuliano Montaldo’s Gli intoccabili (released in the U.S. as Machine Gun McCain) is also a landmark in the story of John Cassavetes and his ragtag repertory...

Dec 9, 2019 Hollywood’s foreign press and critics’ groups across the nation pick their favorites of 2019.

May 25, 2017 “The botched bank robbery is a well-worn genre staple, but has ever a heist gone quite so wrong to quite such electric, propulsive effect as in Josh and Benny Safdie’s Good Time?” asks Jessica Kiang at the Playlist. “Bouncing wildly...

Apr 18, 2025 When Mayor John Lindsay made it easier for filmmakers to shoot on location in New York City, he paved the way for a string of movies that captured the troubled metropolis in the late sixties and early seventies.

May 24, 2004 Stray Dog, the ninth film directed by Akira Kurosawa, is a detective story that’s also meant to function as a commentary on the desperate social conditions of postwar Japan: a kind of neorealist cop movie.

Jul 16, 2019 When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...

Apr 12, 2019 Known for his work with John Cassavetes, the actor was rediscovered a generation later in films by Wes Anderson.

Jun 22, 2026 Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...

Out of Your World

The Daily

May 8, 2026 Film Comment relaunches, Richard Kelly writes, Lynne Ramsay prepares, and in 1976, Roberto Rossellini talked.

Jul 29, 2024 Made in an era when self-consciously postmodern takes on the Bard were popular, Gus Van Sant’s melancholy road movie mines the ambiguously queer tensions in the history play Henry IV.

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