The Criterion Collection
Aug 3, 2010 — Sanshiro Sugata: A Career Blooms Moviegoers the world over know Akira Kurosawa for Rashomon (1950) and the international classics that followed—Ikiru, Seven Samurai, Throne of Blood, Yojimbo, High and Low. The filmmaker’s dazzling technique made his genre tales about samurai...
Essays
May 9, 2005 — This seminal documentary conveys the particular seductiveness and resonance of the dream of going pro for two talented Chicago teenagers.
Essays
Jul 9, 2001 — John Schlesinger’s beloved dramedy subverts the conventions of British kitchen-sink realism.
Dec 11, 2009 — This expansive tribute to the iconic Japanese actor Tatsuya Nakadai was first published on the Criterion Collection’s website in fall 2005, around the time of the Criterion releases of two films starring Nakadai: Kurosawa’s Ran and the less well-known samurai...
The Daily
Nov 10, 2022 — Film Forum presents a survey featuring work by Edward Yang and Hou Hsiao-hsien as well as Second Wavers Ang Lee and Tsai Ming-liang.
Essays
Oct 12, 2021 — In Raoul Walsh’s elegy for the Depression-era archetype of the noble outlaw, Humphrey Bogart plays an old-fashioned desperado who has outlived his time.
Feb 26, 2020 — Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...
Jan 21, 2008 — Agnès Varda seizes the kind of immediacy and tension associated, at the start of the sixties, with the cinema verité documentary movement and uses it to create a new form of fiction.
Jun 18, 2026 — Over the course of his first three documentaries—Helvetica (2007), Objectified (2009), and Urbanized (2011)—Gary Hustwit established a clean and clear cinematic language that he used to describe the complex and often contradictory systems of thinking that designers use to shape...
The Daily
Oct 10, 2025 — This week: Essays on Daniel Day-Lewis, Sophie Fillières, and Miguel Gomes, a talk with Wes Anderson, and an AI experiment.