The Criterion Collection
Nov 20, 2019 — A sprawling, sweeping period romance that plays out over the course of fifteen years and across several national borders, Cold War is also, for acclaimed filmmaker Paweł Pawlikowski, a highly personal work. His own parents’ marriage served as Pawlikowski’s primary...
Jun 13, 2019 — Photo by Sara Driver Half a century ago, George A. Romero’s midnight-movie hit Night of the Living Dead invented the zombie genre as we know it and turned American independent filmmaking on its head. Made on an ultralow budget with...
In Theaters
Nov 23, 2017 — Christian-Jaque’s period adventure Fanfan la Tulipe screens as part of a series inspired by the work of painter Jean Honoré Fragonard.
In Theaters
Nov 16, 2017 — Preston Sturges’s screwball masterpiece, about a glamorous con artist who fleeces a naïve millionaire, screens in Baltimore this week.
The Daily
Oct 31, 2017 — In the latest entry in Reverse Shot’s symposium on time, Julien Allen proposes that “perhaps the most compelling display of Hitchcock’s bravura in Psycho [1960] occurs during one of its least discussed sequences, in which Norman Bates (Anthony Perkins) cleans...
The Daily
Oct 27, 2017 — New York. Hank and Jim, running at Film Forum from today through November 16, is a companion series to Scott Eyman’s new book, Hank and Jim: The Fifty-Year Friendship of Henry Fonda and James Stewart. Today “offers back-to-back Hitchcock movies,”...
The Daily
Jul 16, 2017 — “Legendary filmmaker George A. Romero, father of the modern movie zombie and creator of the groundbreaking Night of the Living Dead franchise, has died at 77,” reports Tre’vell Anderson for the Los Angeles Times. “Romero died Sunday in his sleep...
May 27, 2017 — “When French writer Delphine le Vigan published her book Based on a True Story in 2015, some critics dubbed it ‘a Hitchcockian novel,’” begins Jonathan Romney, writing for Screen. “It’s not surprising, then, that Roman Polanski’s adaptation is very Hitchcockian...
Sep 18, 2012 — Marcel Carné’s theatrical spectacle set in early nineteenth-century Paris is an operatic work about passion and artifice.
The writer and director of Blue Heron shares how John Cassavetes inspired her own approach to independent filmmaking, praises The Watermelon Woman and Not a Pretty Picture as essential works of hybrid cinema, and talks about her personal connection to...