The writing and directing partners behind the new show A Murder at the End of the World talk about the influence of Alan J. Pakula, share their deep connection to The Double Life of Véronique and After Life, and praise...

Dec 28, 2014 In person, Sam was a blunt-nosed nonconformist, small of stature but forever leading with his Cuban cigar.

Feb 16, 2004 In this quintessential noir, Samuel Fuller breaks with the Red Scare formula of his contemporaries by contrasting the faceless evil of Communism against the peccadilloes of the workaday American crook.

Jul 14, 2026 One of the funniest and most affecting scenes in 1970s Hollywood cinema is also one of the most quietly radical—no small feat in a decade of movies marked by wiggy experimentation, explosions of brutal and cathartic violence, and shaggy new...

Jul 1, 2026 BAM’s thirteen-film series dips into chapters of American history that tend to get overlooked on Fourth of July weekends.

May 12, 2026 Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...

May 12, 2026 Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.

May 6, 2026 Erige Sehiri’s Promised Sky opens the New York African Film Festival and screens as part of Seattle’s African Pictures program.

Feb 18, 2026 One of the most versatile and committed actors in cinema, Duvall was also an accomplished writer and director.

Jan 22, 2026 This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.

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