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The Daily
Jul 27, 2017 — Venice International Film Festival director Alberto Barbara has presented the lineup for the seventy-fourth edition (August 30 through September 9) at a press conference in Rome. I’ve gathered notes and trailers.CompetitionAi Weiwei’s Human Flow. From the Hollywood Reporter’s Tatiana Siegel:...
The Daily
Jul 19, 2017 — “When putting together MoMA’s new film series, Future Imperfect: The Uncanny in Science Fiction, its curator, Josh Siegel, set out to compile a list of pictures that defined the genre within more earthly parameters,” writes Jake Nevins for the Guardian....
Jul 11, 2017 — A forged note brings chaos and corruption to the lives of everyone it touches in Robert Bresson’s devastating final film.
May 27, 2017 — Today’s journey back through Cannes history takes me to the festival’s fifty-ninth edition, when Ken Loach won the Palme d’Or for The Wind That Shakes the Barley—a film currently playing in a limited engagement on the Criterion Channel at FilmStruck....
Feb 20, 2017 — Joan Crawford delivers one of her greatest performances in Michael Curtiz’s unsparing look at class, ambition, and the all-consuming intensity of maternal love.
Features
Jan 15, 2017 — To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.
Sep 27, 2016 — This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.
Essays
Sep 22, 2015 — Two precocious youngsters try to carve out a corner of the world just for themselves in Wes Anderson’s alternately melancholy and boisterous tale of growing pains.
Jul 22, 2015 — Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.
Aug 18, 2014 — The filmmaker and critic discuss the pleasures and provocations of the Spanish auteur’s work.