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Jan 17, 2020 Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...

Aug 3, 2015 On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...

Apr 14, 2015 Before he turned Vienna into a labyrinth of shadows with The Third Man, Carol Reed brought film noir to Belfast for this stylishly fatalistic tale of a man caught up in political violence.

A tantalizing labyrinth, a warped tale of wayward love, a high-flying feat of adventure filmmaking, a pop-culture phenomenon, a document of a fearless director, and early works from a legend of world cinema

In the very first entry in our Closet Picks series, shot in 2010, the director of Pan’s Labyrinth selects favorite films by Stanley Donen, Terrence Malick, and Ingmar Bergman.

Gaetana Marrone is a professor of French and Italian at Princeton University and the author of The Gaze and the Labyrinth: The Cinema of Liliana Cavani.

May 25, 2017 In visually daring phantasmagorias like Cronos, The Devil’s Backbone, and Pan’s Labyrinth, Guillermo del Toro transfixes audiences with a unique brand of gothic storytelling that interweaves the personal and the historical. In addition to being one of our most inventive...

Designing for del Toro

Criterion Designs

Oct 26, 2016 When putting together the Criterion editions of Guillermo del Toro’s films, we assembled a talented group of artists, including Hellboy creator Mike Mignola, del Toro collaborator Guy Davis, comic book creator Becky Cloonan, and Russian artist Vania Zouravliov.

Oct 19, 2016 In a conversation with German children’s author Cornelia Funke, the Mexican director discusses his fascination with myths and fairy tales.

Oct 18, 2016 Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.

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