The Criterion Collection
Features
Jan 17, 2020 — Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...
Aug 3, 2015 — On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...
Apr 14, 2015 — Before he turned Vienna into a labyrinth of shadows with The Third Man, Carol Reed brought film noir to Belfast for this stylishly fatalistic tale of a man caught up in political violence.
A tantalizing labyrinth, a warped tale of wayward love, a high-flying feat of adventure filmmaking, a pop-culture phenomenon, a document of a fearless director, and early works from a legend of world cinema
In the very first entry in our Closet Picks series, shot in 2010, the director of Pan’s Labyrinth selects favorite films by Stanley Donen, Terrence Malick, and Ingmar Bergman.
Gaetana Marrone is a professor of French and Italian at Princeton University and the author of The Gaze and the Labyrinth: The Cinema of Liliana Cavani.
On the Channel
May 25, 2017 — In visually daring phantasmagorias like Cronos, The Devil’s Backbone, and Pan’s Labyrinth, Guillermo del Toro transfixes audiences with a unique brand of gothic storytelling that interweaves the personal and the historical. In addition to being one of our most inventive...
Criterion Designs
Oct 26, 2016 — When putting together the Criterion editions of Guillermo del Toro’s films, we assembled a talented group of artists, including Hellboy creator Mike Mignola, del Toro collaborator Guy Davis, comic book creator Becky Cloonan, and Russian artist Vania Zouravliov.
Sneak Peeks
Oct 19, 2016 — In a conversation with German children’s author Cornelia Funke, the Mexican director discusses his fascination with myths and fairy tales.
Oct 18, 2016 — Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.