Bresson and Marker

The Daily

Jun 26, 2023 The Cinemateca Brasileira programs an odd pairing, but it all comes together in 1983.

May 30, 2023 What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.

May 25, 2023 Mark Jenkin is a filmmaker based in West Cornwall in the United Kingdom. He acts as cinematographer and editor on his films and often hand-processes his own footage. He won a BAFTA for Bait, which premiered at the 2019 Berlinale...

Nov 22, 2022 Spike Lee’s transcendent portrait of an American hero is an urgent call for the nation to live up to everything it claims to be.

Oct 13, 2022 Denis’s second film of the year split the critics when it won a Grand Prix in Cannes—and it’s still splitting them now.

Sep 28, 2022 A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.

Sep 15, 2022 Spielberg finally tells the story that has shaped so many of his films, and critics are loving it.

Fits and Starts

The Daily

May 13, 2022 It wasn’t always smooth going for Max Ophuls, Mike Hodges, or Irrfan Khan.

Apr 6, 2022 A playfully philosophical drama, My American Uncle has been largely forgotten, yet it is the most down-to-earth of the French master’s exhilarating engagements with modernist aesthetics.

Mar 2, 2022 The Ukrainian filmmaker has said of his 2018 feature: “Let’s call it an angry film.”

Current Page
8
of 643

You have no items in your shopping cart