Hybrid (, col., sil., 15 min.

Mar 31, 2022 — This year’s edition features a spotlight on Alice Diop.

Mar 25, 2022 — With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.

Mar 18, 2022 — With a collection of her films now available on the Criterion Channel, the director behind Still Processing discusses the radically personal nature of her work.

Feb 10, 2022 — The heads of each section discuss the highlights and themes of their selections.

Feb 4, 2022 — This week: Céline Sciamma, Julia Ducournau, Jane Campion, Mahamat-Saleh Haroun, and Joachim Trier and Renate Reinsve.

Nov 9, 2021 — Julia Ducournau’s Titane, Jasmila Žbanić’s Quo Vadis, Aida?, and Florian Zeller’s The Father lead with four each.

Oct 28, 2021 — MoMA, the Cinémathèque française, Film at Lincoln Center, and Ecstatic Static present a set of adventurous programs.

Oct 26, 2021 — In the run-up to Friday’s opening, Wright has put together a delectable issue of the Observer New Review.

Oct 12, 2021 — In Raoul Walsh’s elegy for the Depression-era archetype of the noble outlaw, Humphrey Bogart plays an old-fashioned desperado who has outlived his time.

Oct 12, 2021 — One of cinema’s most eclectic and impactful curators is fêted in the cities were he lived and worked.