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Eye for an Eye

Mar 13, 2018 Martin Scorsese brought his trademark attentiveness to the intricacies of social custom to this devastating adaptation of an Edith Wharton novel.

May 23, 2017 “For ardent Hong Sangsoo fans, 2017 couldn’t be a more rewarding year,” writes Bradley Warren at the Playlist. “Not just because the South Korean filmmaker has three new films ready—the first, On the Beach at Night Alone, launched in Berlin—or...

Feb 10, 2017 Did You See This? The BFI ruminates on ten masterful portraits of loneliness, including Yasujiro Ozu’s Late Spring, David Lean’s Summertime, Rainer Werner Fassbinder’s Ali: Fear Eats the Soul, and Wong Kar-wai’s Chungking Express. For Eye on Design, Emily Gosling...

Dec 8, 2022 We can look forward to new work from Ira Sachs, Nicole Holofcener, Randall Park and Adrian Tomine, and Brandon Cronenberg.

Sep 6, 2017 Oscar-winning visual effects artist and film historian Craig Barron takes a close look at the techniques used to create the gothic atmosphere of Alfred Hitchcock’s Rebecca.

Jan 25, 2012 Creating an effect of pity and terror unique in Francesco Rosi’s cinema, The Moment of Truth ought by rights to be counted among his finest achievements. On its original release in 1965, Pauline Kael acclaimed “the beauty of rage, masterfully...

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The Daily

Mar 17, 2023 This week: Good news from repertory programmers, new columns, and a talk with Louis Garrel.

Oct 15, 2019 After breaking through in Medium Cool, Forster floundered until Quentin Tarantino plucked him from undeserved obscurity nearly thirty years later.

Aug 27, 2019 In 1986, having made a number of child-centered films in his position as the head of the filmmaking division at Iran’s Center for the Intellectual Development of Children and Young Adults (an organization Iranians call Kanoon), Abbas Kiarostami accepted a...

Aug 7, 2017 The big news to catch up with here is the launch of Film Critic: Adrian Martin, “almost 20 years, on and off, in the making.” Adrian Martin has been writing essential film criticism for four decades now, and what’s collected...

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