The Criterion Collection
Greil Marcus is the author of Lipstick Traces, The Shape of Things to Come, and The Manchurian Candidate in the BFI Film Classics series. With Werner Sollors, he is the editor of A New Literary History of America (Harvard, 2009)....
Geoffrey O’Brien’s books include The Phantom Empire; Sonata for Jukebox; The Fall of the House of Walworth; Stolen Glimpses, Captive Shadows: Writing on Film, 2002–2012; Where Did Poetry Come From: Some Early Encounters; and Arabian Nights of 1934.
Veteran music journalist Michael Azzerrad is the author of Come As You Are: The Story of Nirvana (Doubleday, 1993) and the upcoming Just Gimme Indie Rock: Scenes from the American Indie Underground 1981-1991 (Little, Brown). He once caught a sunfish...
Jun 30, 2020 — Come and See (1985) is one of those films whose authority is established from its opening moments. Out in the open air, an elderly peasant dressed in a soft-peaked beret is volleying a mixture of threats and imprecations into some...
Jun 30, 2020 — A nonverbal man sits on a bench on a village street. With his hands, he tells the story of his village. His hands say that all of the villagers were herded together into a barn. His hands say that the...
On the Channel
Nov 17, 2016 — Despite its reputation as a popcorn genre, science fiction has been an exciting frontier for some of cinema’s most innovative and ambitious masters. For Auteurs in Space, a Criterion Channel series we just premiered today, we’ve gathered a lineup of...
Jun 20, 2013 — The prophetic voice of H. G. Wells resonates throughout this singularly ambitious, spectacularly designed vision.
Feb 2, 2011 — This essay first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. It is posted here by permission of the author. Michelangelo said he could sense the figure in the uncut stone; his job was...
Interviews
Feb 2, 2011 — This interview was published in the winter 2010 issue of Brick, a literary journal based in Toronto. It is posted here by permission of the Toronto International Film Festival. The photograph appears courtesy of Colleen Murphy. We met on March...