The Criterion Collection
Sep 22, 2009 — Something very heavy happened at Monterey last weekend. Those very odd three days began in Friday’s cool gray air as the first of the crowd began to circle through the booths of the fairground. The only word for it then...
Mar 16, 2007 — The first of his films to be shown outside Japan, Ichikawa Kon’s twenty-seventh feature dramatically raised the director’s profile.
Dec 9, 2002 — What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.
Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...
Feb 5, 2009 — “Around the time that the KKK rode to victory in The Birth of a Nation (1915), Al Jolson applied burned cork to his face in The Jazz Singer (1927), and scores of African-American actors bowed, scraped, shucked, and jived in...
Mar 20, 2024 — Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.
Dec 13, 2022 — A departure from the tales of sex and violence that defined Black cinema in the early 1970s, Michael Schultz’s beloved coming-of-age film celebrates the emotional bonds among a group of young Black men.
Dec 23, 2016 — Did You See This? Over at the BFI, Nathalie Morris recounts the trailblazing career of singer, actor, athlete, and activist Paul Robeson, “a true renaissance man who overcame racial prejudice to become one of the biggest stars of his time.”...
On the Channel
Nov 8, 2016 — The Austin-based filmmaking duo chat with us about the influence of Louis Malle and their new short film, which takes inspiration from the director’s Black Moon.
Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.