The Criterion Collection
The Daily
Apr 14, 2022 — The seventy-fifth edition will present new work from Claire Denis, David Cronenberg, Kelly Reichardt, and Hirokazu Kore-eda.
Feb 28, 2022 — Ulysses Jenkins is an artist of extremes, an innovator who has probed the limits of a wide range of aesthetic modes for over five decades. Though he’s best known for his video art, a medium whose conventions he has been...
On the Channel
May 3, 2018 — Two of the earliest films to depict the bombing of Hiroshima show how politics shapes national mourning.
Dec 18, 2017 — When Mathieu Amalric’s Barbara with Jeanne Balibar premiered in the Un Certain Regard program of this year’s Cannes Film Festival in May, it won an award for Best Poetic Narrative. A month later, it won the Jean Vigo Award, and...
The Daily
Sep 2, 2017 — Remembering Jerry Lewis in a piece for the Guardian, Martin Scorsese recalls working with him on King of Comedy: “Jerry Langford was an uncomfortable role for him to play, because he was skirting the edges of his own life in...
The Daily
Aug 22, 2017 — New York. The Metrograph’s series Antonioni x 6 is on from today and, in the Village Voice, Bilge Ebiri focuses on Le amiche (1955), “decidedly not what one would call ‘Antonioni-esque’”; L’avventura (1960), which “as been called alienating, but I’m...
Short Takes
May 24, 2017 — Cannes kicked off the 1980s with a Palme d’Or win for a giant of Japanese cinema entering the final stages of his career. Akira Kurosawa’s Kagemusha (the title of which literally translates as “shadow warrior”) follows a small-time thief who...
Apr 26, 2016 — “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.
Features
May 13, 2015 — Cannes is complicated. To the first-time visitor, it seems a blur of parties, dinners, and screenings, and wherever you are, you are constantly troubled by the thought that the really hot screening or the really hip party is happening elsewhere.
Essays
Oct 25, 2011 — The film is made up of a succession of small visions, observed and executed with apparent ease but thought through with such exquisite care and attention that the experience becomes overwhelming.