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As I Open My Eyes

Jan 18, 2012 — Poto and Cabengo: Three-Part Harmony Jean-Pierre Gorin’s three Southern California movies are so militantly unclassifiable that terms like documentary or essay film seem as hopelessly out of sync with the recalcitrant and frequently exhilarating works themselves as a Marxist harangue in...

Jun 27, 2011 — I’m not sure when I became a Peter Falk fan. I fondly remember watching Columbo on Sunday evenings with my parents more than forty years ago. I’m happy to say it’s a tradition that I’ve kept up with my own...

Dec 11, 2009 — This expansive tribute to the iconic Japanese actor Tatsuya Nakadai was first published on the Criterion Collection’s website in fall 2005, around the time of the Criterion releases of two films starring Nakadai: Kurosawa’s Ran and the less well-known samurai...

Cannes 2026 Lineup

The Daily

Apr 9, 2026 — Ryusuke Hamaguchi, Asghar Farhadi, Paweł Pawlikowski, Na Hong-jin, Cristian Mungiu, and Ira Sachs are headed into the main competition.

Nov 12, 2025 — He anchored some of the best films by Kurosawa, Kobayashi, Okamoto, Naruse, and Teshigahara.

Jul 22, 2025 — An era-defining reckoning with the sexual revolution, Mike Nichols’s controversial drama develops a rigorous form for analyzing what we have recently come to call “toxic masculinity.”

May 27, 2025 — A landmark of independent cinema, Charles Burnett’s debut feature captures daily life in Watts, Los Angeles, with a depth and precision that evokes the history of Black American music.

Wish for a Breeze

The Daily

Nov 22, 2024 — Powell and Pressburger, Cassavetes and Rowlands, Robert Frank, Catherine Breillat, John Waters, Babette Mangolte, Sergei Loznitsa . . .

Beyond Fest 2024

The Daily

Sep 23, 2024 — Anniversary screenings of The Babadook, Ed Wood, and The Texas Chain Saw Massacre are among this year’s highlights.

Jun 25, 2024 — Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

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