The Criterion Collection
Essays
Aug 30, 2011 — A startling blend of fantasy and reality, Lindsay Anderson’s satirical tale of adolescent rebellion personifies the 1960s.
Features
Jun 27, 2011 — I’m not sure when I became a Peter Falk fan. I fondly remember watching Columbo on Sunday evenings with my parents more than forty years ago. I’m happy to say it’s a tradition that I’ve kept up with my own...
Apr 25, 2011 — In 1981, the legendary critic went all out for Blow Out, which she thought was De Palma's most mature work to date.
Nov 28, 2010 — “What we need are good old American—and that’s not to be confused with European—Art Films.” So declared the then twenty-nine-year-old beatnik Method actor Dennis Hopper in an unpublished 1965 manifesto. “The whole damn country’s one big real place to utilize...
Essays
Nov 23, 2010 — Easy Rider is a record of a certain time in American history, and a chronicle of a culture clash that never quite ended.
Sep 3, 2007 — I’m on a flight back from the Telluride Film Festival and two and a half great days in the mountains. Telluride has been an important festival for Criterion and Janus for years. It’s a great opportunity to mingle with filmmakers...
Essays
Nov 26, 2001 — Peter Weir’s first film to be released in America insists on the tangible power of spiritual life.
The Daily
May 29, 2026 — We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.
Essays
May 26, 2026 — Of all the performing arts, stand-up comedy may be the most ephemeral, even more so if the humor is considered dangerous or taboo. Stand-up relies on the charged dynamic between a comedian and an audience, with both sides often bringing...