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Jun 28, 2024 — Alain Guiraudie and Angela Schanelec discuss their new films, Albert Serra opens an exhibition, and Paul Schrader gets ranked.

Jun 26, 2024 — A happily married lawyer strikes up an affair with her teenage stepson in Breillat’s first feature since Abuse of Weakness (2013).

Jun 25, 2024 — Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

Jun 24, 2024 — Costars and critics remember an outstanding actor who neither looked nor sounded like a movie star.

Jun 21, 2024 — Join us on Sunday, June 30, for the premiere; afterwards, Opus will stream exclusively on the Criterion Channel.

Jun 21, 2024 — We open with an Italian neorealist classic, steer through ’70s-era paranoia, and wrap with a blast of gnarly rock ’n’ roll.

Jun 20, 2024 — All the Archers’ classics but also more than a few rarities will screen as part of MoMA’s comprehensive retrospective.

Jun 20, 2024 — She was Demy’s Lola, Fellini’s Luisa, and in Lelouch’s A Man and a Woman, Trintignant’s lover.

Jun 12, 2024 — This summer, we’re bringing back one of our favorite seasonal themes with a hard-boiled Neonoir collection. Plus: Pop Shakespeare, Times Square, and Columbia Screwball.

Jun 11, 2024 — A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.