The Criterion Collection
The Daily
May 25, 2017 — “The act of seeing has a special meaning in Japanese director Naomi Kawase’s Radiance, in which the job of character Misako (Ayame Misaki) is to write the scripts for the audio-assist provided for blind patrons at the movies,” writes Barbara...
The Daily
May 17, 2017 — Welcome to the first entry of the Daily at the Criterion Collection. For those of you who don’t know me, since 2003 I’ve been gathering links to essential—or simply fun—reading, news stories, and items of interest into a sort of...
Jan 30, 2017 — Film scholar Shonni Enelow reveals the methods of the Mamet style of acting in this examination of Crouse’s subtly feminist lead performance.
Aug 16, 2016 — Stig Björkman’s candid documentary gathers a wealth of material from Ingrid Bergman’s personal archive, revealing the star as a fastidious collector of her own memories.
Essays
May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.
Jun 17, 2015 — Taking the form of a casual conversation, Louis Malle’s film about transformative experiences is an outgrowth of its writer-stars’ experimental theater days.
Apr 30, 2015 — A well-deserved profusion of obituaries has reported in detail the achievements of Richard Corliss as a film journalist.
Oct 21, 2014 — Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.
Essays
Aug 4, 2014 — Rebellious children of the sixties become conflicted consumers of the eighties in Lawrence Kasdan’s elegiac comedy-drama.
Essays
Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.