The Criterion Collection
The Daily
Dec 20, 2019 — This week we’re spotlighting directors’ and writers’ appreciations of other directors and writers, plus Céline Sciamma and Agnès Varda.
The Daily
Oct 31, 2019 — A series of films by one of India’s greatest and most fiercely independent directors opens in New York.
On the Channel
Sep 30, 2019 — One of contemporary world cinema’s most exciting filmmakers, Christian Petzold has, over the past two decades, built up a spellbinding body of work that grapples with his native Germany’s turbulent recent history, and its traumatic aftershocks. Now on the Criterion...
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
Jun 21, 2018 — I have lost count of the number of times I have had the pleasure of watching El Sur, but I suspect it is among the films I have seen most frequently in my life. It is a treasure chest that reveals...
The Daily
Mar 15, 2018 — New York. Film Forum’s series, entitled simply Michel Piccoli, opens tomorrow and runs through March 22. “It’s surprisingly hard to think of an American equivalent for Piccoli,” writes Mike D’Angelo in the Village Voice. “He never exudes the wised-up, electrifying...
Feb 14, 2018 — With her acclaimed new film Western opening in theaters this week, we spoke with German director Valeska Grisebach on the romantic ideals of the quintessential American genre.
The Daily
Feb 13, 2018 — Lucrecia Martel was at the International Film Festival Rotterdam this year not only to present Zama but also to deliver a masterclass. Giovanni Marchini Camia was there, and reports for Filmmaker: To illustrate her conception of mise en scène, Martel...
The Daily
Jan 26, 2018 — Death has been greedy this week, taking not only artists who have left their mark on cinema but others, too, who have made an impact on our culture overall. The week began with the passing on Monday of Ursula K....
Jan 16, 2018 — The ravages of poverty in contemporary Britain are translated with vivid authenticity in this drama from celebrated filmmaker Ken Loach.