The Criterion Collection
Jun 19, 2006 — This essay originally appeared in the fanzine PHOTON (issue #22), in 1972. Stop-motion animation has been attracting a growing number of enthusiasts for about the last ten years, and though it seems the majority of these people must out of...
Essays
Jul 11, 2005 — Luchino Visconti’s adaptation of Fyodor Dostoyevsky’s short story balances realism and fantasy.
Mar 14, 2005 — A director is naturally a man like everyone else. Yet his life isn’t normal. For us, seeing is a necessity. For a painter, too, the problem is to see. But while the painter has to discover a static reality, or...
Essays
Feb 14, 2005 — A touchstone of Jean-Luc Godard‘s political period, the film plays with the idea of recording working-class history as it is happening.
Essays
Aug 2, 2004 — This kinetic and ineffably voluptuous musical is the happiest and most exuberant ripple in Jean Renoir’s career as a river of personal expression.
Essays
Mar 15, 2004 — This Japanese classic’s guiding passion is hunger, and its central image—a gaping black hole in the earth—is that of an all-consuming maw.
Dec 9, 2002 — What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.
Essays
Dec 22, 1992 — With a script by Graham Greene, Carol Reed’s thriller plays upon the classic themes of trust, innocence, betrayal, and truth through the lens of a precocious eight-year-old.
Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...
The Daily
Jul 17, 2026 — Some early reviews raise a few objections, but for the most part, Nolan is wowing critics with his grandest vision yet.