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The Truth

Mar 22, 2011 In 1985, deep into the twelve-year reign of the Reagan-Bush administration, Rob Epstein mounted a Hollywood stage with Richard Schmiechen, both men resplendent in tuxedos. Epstein was only twenty-nine years old. The director had just made history, with producer Schmiechen,...

Jul 17, 2018 Without doubt, Steven Soderbergh’s sex, lies, and videotape struck a nerve when it was released in 1989. Astonishingly, it still does today. Among the most storied of American independent films, it debuted at the U.S. Film Festival (soon to be renamed the...

Mar 18, 2024 Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Dec 5, 2024 Jane Schoenbrun’s I Saw the TV Glow scores six Spirit Awards nominations and is the cover story in the new Film Quarterly.

Aug 30, 2019 Abbas Kiarostami’s Koker Trilogy is a true marvel of narrative construction: the neorealist-like odyssey of Where Is the Friend’s House? (1987) gives way to the slippery intermingling of fact and fiction in And Life Goes On (1992), a road movie...

May 25, 2022 Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.

May Books

The Daily

May 24, 2021 We’re reading more about Billy Wilder and Alfred Hitchcock and about Sofia Coppola and Stanley Kubrick.

Feb 12, 2018 In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...

Jan 28, 2018 The Sundance Film Festival has presented this year’s round of awards, and on that page you’ll find the descriptions that have tagged along with each title since the day it was announced as part of the lineup. Below, you’ll find...

With its unbridled frontier violence, themes of civilization versus savagery, and iconographic cowboy figure, the western is the most beloved and recognizable of American cinematic genres.

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