The Criterion Collection
The Daily
Apr 24, 2019 — American cinema has lost one of its most visionary artists.
On the Channel
Apr 24, 2019 — Channel Calendars The Women (1939) It’s going to be a packed month on the Criterion Channel, with a spotlight on the unforgettable female characters of a classic Hollywood master, a tribute to the great Japanese cinematographer Kazuo Miyagawa, a new...
Apr 23, 2019 — Elia Kazan can be and has been called many things: a cinematic genius, an actor’s director, a womanizer, a government stoolie, an uncompromising artist and three-time Academy Award winner. But whatever your opinion of his personality, his temperament, or his...
Apr 16, 2019 — Most proper New Waves of the 1960s came equipped with a rough balance of assimilable superstars and genuine radicals, and for the Czechoslovaks, the guerrilla flank was led by Jan Němec. Jiří Menzel was adored globally for his wry humor,...
Apr 15, 2019 — She was known as “a professional innocent”—until Persona (1966) revealed a complex emotional intelligence.
The Daily
Apr 12, 2019 — Known for his work with John Cassavetes, the actor was rediscovered a generation later in films by Wes Anderson.
The Daily
Apr 3, 2019 — This month’s round features Dalí’s Marx Brothers movie, Bergman family drama, Welles’s unpublished play, and more.
Apr 1, 2019 — The artist, photographer, and filmmaker leaves behind one of the most varied and restless oeuvres in cinema.
Essays
Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...
Essays
Mar 19, 2019 — A few weeks after Barbara Loden, the writer, director, and star of Wanda, died at age forty-eight after a long battle with cancer, Elia Kazan, her widower, was interviewed by Marguerite Duras for Cahiers du cinéma. It was 1980, and...