Jul 19, 2021 When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...

Jul 13, 2021 One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...

Jul 12, 2021 Far more than a behind-the-music tribute, Haynes’s first documentary reanimates American culture in the mid-1960s.

Jul 12, 2021 The British director’s autobiographical sequel is one of the most enthusiastically reviewed films at Cannes so far.

Jul 7, 2021 In the 1990s, Hong Kong was home to a staggering number of the most gifted and charismatic actors in the world. It’s impossible to imagine the films of Wong Kar Wai—or the global art-house phenomenon they generated—without these extraordinary performers;...

Jul 1, 2021 Wong Kar Wai, Tilda Swinton, Federico Fellini, Claudia Weill, and Steven Soderbergh feature in this week’s round.

Jun 30, 2021 A Twitter thread gone viral becomes a stylistically innovative comedy about race and extremely online culture.

Jun 29, 2021 In Dee Rees’s ambitious and lyrical debut, the inner life of a queer Black teenager and poet is summoned in all its nuances and contradictions.

Jun 28, 2021 Next month brings a twenty-seven-film spotlight on the neonoir thrillers of the post-studio-system era, a survey of art-house animation from around the world, and more.

Jun 28, 2021 The new issue features in-depth writing on work by Radu Jude and Ryusuke Hamaguchi and tributes to Bertrand Tavernier and Monte Hellman.

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