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Just Between Us

Jul 18, 2024 A pioneer of the 1980s downtown New York arts scene, the director of Sleepwalk talks about navigating her creative life in the city and the inspiration she has taken from mythology, fairy tales, and cinéma fantastique.

Jul 17, 2024 This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.

Jul 17, 2024 With a deep dive under the hood of Ferrari, Mann aims to explain how he goes about making a movie.

Jul 16, 2024 In one of the most patient films he has ever made, Wim Wenders captures how everyday existence drifts into our dream lives.

Jul 2, 2024 Self-destruction is not only an aesthetic but its own subject matter in Sam Peckinpah’s deeply elegiac western, a towering masterpiece that examines American power and greed.

Jun 25, 2024 Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

Jun 21, 2024 An underrated figure of Japanese cinema’s postwar era, the director tackled a wide range of subjects over his long career, including corporate double-dealing, government espionage, and various forms of fanaticism.

Jun 18, 2024 In this stylish erotic noir, Lilly and Lana Wachowski delight in destabilizing our genre and gender expectations, laying the foundation for the trans sensibility that runs through all their work.

Jun 6, 2024 In the run-up to the release of Green Border, the Museum of the Moving Image will present a two-week, ten-film survey of her work.

Jun 5, 2024 Film at Lincoln Center presents the first-ever New York retrospective dedicated to one of cinema’s most beguiling stars.

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