The Criterion Collection
Essays
Jan 13, 1992 — Few films have had as exalted, or as tumultuous, a history as The Devil and Daniel Webster. Directed and produced by William Dieterle at RKO after his triumphant Hunchback of Notre Dame, The Devil and Daniel Webster is the finest...
The Daily
Dec 17, 2025 — An amiable actor, Reiner launched his directorial career with a seven-film winning streak.
The Daily
Dec 22, 2023 — An appreciation of Raúl Ruiz, a chat with Maggie Renzi and John Sayles, and a holiday lightning round.
The Daily
Jan 8, 2020 — A major retrospective at the Cinémathèque française has us turning to writing by Peter Wollen, Gilberto Perez, and Jonathan Rosenbaum.
The Daily
Jul 24, 2026 — September will bring new films from Lee Chang-dong, Julia Loktev, Barbara Kopple, Mariano Llinás, and Takashi Miike.
Apr 21, 2026 — Since its debut in 2024 at the New York Film Festival, the Criterion Mobile Closet has made wildly successful stops in cities across the United States and Canada. For our first trip this year, in partnership with PAM CUT, Criterion...
Aug 11, 2021 — We’re thrilled to announce the first of our 4K Ultra HD releases.
The Daily
Aug 4, 2021 — Updates on the latest news from Sundance, Tribeca, Locarno, Toronto, Venice, San Sebastián, and London.
Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.
Essays
Feb 18, 2008 — At the climax of Alex Cox’s Walker (1987), a helicopter descends from the night sky onto a plaza where the colonial buildings are ablaze and an army of mercenaries is disintegrating . . .