The Criterion Collection
Filmmaker Richard Linklater originally presented this tribute at the 2000 South by Southwest in Austin, TX, as an introduction to a special screening of Two-Lane Blacktop, part of a retrospective of Hellman's work that Linklater helped coordinate. It also appeared...
Short Takes
Jun 8, 2012 — You’d be forgiven for expecting something lurid and shameless from Ingmar Bergman’s Summer with Monika after viewing this trailer for the original, dubbed American release. Also: it was based on the Time magazine story “Sin in Sweden”? News to us!...
Looking for a little cinematic catharsis? Come and cry along with Criterion.
Nov 4, 2008 — Postelection blues? Need a political fix and don’t know where to turn now that all the polling data is in? In an effort to fill that void, the Washington Post today recommends a list of great politically themed television on...
Oct 9, 2025 — Legendary pop duo Sparks—the fifty-plus-year-long project of brothers Ron and Russell Mael—was formed in 1971. Earlier this year, they released their twenty-eighth studio album, MAD!, via Transgressive Records. Their latest release, the EP MADDER!, was released in October.Very few artists...
Jun 16, 2023 — Daisy von Scherler Mayer is an American film and television director. She made her feature debut with the critically acclaimed cult classic Party Girl, which premiered at the Sundance Film Festival in 1995, and was recently streaming on the Criterion...
Jul 10, 2009 — Writes Al Reinert, director of For All Mankind: “Having your film in the Criterion Collection is like marrying your daughter into an old distinguished family that intimidates and humbles you. She might feel at home there, but I am inclined...
Nov 20, 2008 — In honor of his participation in our release of Louis Malle’s jazzy noir classic Elevator to the Gallows, we invited music critic Gary Giddins to contribute a list of his ten favorite Criterion films. Giddins: "Just ten? Obviously impossible, but...
The writer and director praises Charles Burnett's portraits of families, talks about his meaningful connection to The Gospel According to Matthew, and shares his experience having Stan Brakhage as a professor.
The writer and director reminisces about seeing Short Cuts at the Venice Film Festival, selects Merry Christmas Mr. Lawrence out of love for Ryuichi Sakamoto, and takes home the one Stanley Kubrick film he hasn’t see.