The Criterion Collection
Nov 8, 2011 — Aflurry of publicity around Fanny and Alexander began well before the start of production. Ingmar Bergman said it would be his final film, and he allowed unusual media access to the set, even welcoming a pair of journalists who kept...
This most unpredictable of filmmakers enriched cinema over a nearly forty-year career that took him from the peripheries of the French New Wave to the vanguard of American moviemaking.
Features
Sep 16, 2010 — I didn’t know quite what to say to Allan King when I met him for the first time in the fall of 2003 at his home offices in downtown Toronto. This was partly out of deference to his reputation as...
Dec 1, 2009 — Mick Jagger’s former assistant remembers the joy and chaos of touring with the Stones.
Apr 23, 2001 — A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.
The Daily
Sep 17, 2025 — Godard, Malle, Duvivier . . . L’Alliance New York presents seven recent restorations.
The Daily
Sep 27, 2024 — The times call for revisiting work by Robert Bresson, John Ford, Shu Lea Cheang, Brian De Palma, and Robert Towne.
The Daily
Apr 26, 2024 — This week offers reflections on the work of Ryusuke Hamaguchi, Béla Tarr, Satyajit Ray, Philip Seymour Hoffman, and Joan Chen.
The Daily
Dec 15, 2023 — Pedro Almodóvar looks back, Roy Andersson empathizes, and Alice Diop addresses the state of cinema.