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Mar 8, 2010 — Forty-seven years after Anna Karina communed with The Passion of Joan of Arc’s Maria Falconetti in Vivre sa vie, Carl Theodor Dreyer’s Saint Joan continues to inspire artists. According to a Pitchfork Media report, Will Gregory and Adrian Utley, members...

Mar 5, 2010 — Congratulations to yesterday’s winners, Joe and Michael! Joe’s Hollywood-style tagline for Ikiru was: This summer: Death is only the beginning. And Michael’s, for Rashomon, was: He said. She said. He said. He said. March is Akira Kurosawa month at Criterion....

Mar 3, 2010 — The Guardian has begun an exciting new short essay series called The Film That Changed My Life, and the first entry brings together two titans of cinema history. Bernardo Bertolucci writes lovingly of Jean Renoir’s The Rules of the Game,...

Feb 24, 2010 — Major Barbara: Stage to Screen It was one of the most improbable linkups in the history of either theater or cinema—as unlikely as Andrew Undershaft’s turning over his munitions empire to Adolphus Cusins, his not-quite-yet son-in-law (and newly declared “foundling”),...

Feb 17, 2010 — The organizers of All Tomorrow Parties in New York have tapped Jim Jarmusch to be a guest curator at this year’s event. The independent music festival (which for the last couple of years has featured a venue for screenings of...

Feb 17, 2010 — Hollywood craftsman Leo McCarey’s long unsung masterwork Make Way for Tomorrow will soon be garnering deserved attention—we’re releasing the Criterion special edition on DVD February 23. The first out of the gate to sing the film’s praises is Roger Ebert,...

Feb 3, 2010 — In the wake of J. D. Salinger’s death last week, at age ninety-one, appreciations of the reclusive Catcher in the Rye author will undoubtedly be sprouting up for quite some time. A new remembrance from Lillian Ross, in the New...

Feb 2, 2010 — Dear Criterion collectors, Our three least favorite initials: OOP. Since we launched the Criterion Collection more than twenty-five years ago, we’ve endeavored to keep everything we’ve published in print. But despite our efforts to renew rights, we are losing a...

Jan 26, 2010 — Roberto Rossellini’s second postwar film was released in the United States as Paisan, and one can understand why the distributors wanted to use a title familiar to many Americans as meaning “friend” or “countryman” for a work that is at...

With her mix of sultry glamour and no-nonsense wit, Jeanne Moreau has been the embodiment of intelligent French moviestardom for six decades. The Paris-born daughter of a Folies Bergère dancer and a restaurateur, Moreau started out as a stage actress...