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Man in Love

Twists of Fate

The Daily

Oct 22, 2021 An outstanding course on Kieślowski, the revival of a Sundance award-winner, and a couple of ranked lists are among this week’s highlights.

Sep 22, 2021 Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...

Sep 14, 2021 A staple of 1980s British cinema, Neil Jordan’s crime drama considers the slippery characters that inhabit the London underworld.

Jan 25, 2021 First Person The release of Rogue One: A Star Wars Story—the first film of the Star Wars anthology series, and a major occasion for many Star Wars fans—on December 16, 2016, was preceded by a much larger event on November...

Nov 30, 2020 Channel Calendars As the year draws to an end, we’re turning our gaze toward things to come, with an international, intergalactic program of Afrofuturist visions of Black creativity, resistance, and freedom. That’s just the beginning of our holiday bounty: we’ve...

Sep 14, 2020 Golden Lion for Chloé Zhao! Plus a look at what the critics have to say about all the award winners.

Aug 18, 2020 Chris Hegedus and D. A. Pennebaker’s restless, captivating Direct Cinema triumph Town Bloody Hall is a work of oceanography, documenting one splashy moment in the cresting and crashing of American feminism’s second wave. The film chronicles the “Dialogue on Women’s...

Aug 17, 2020 Deep Dives Baseball’s back in America—as of this writing, anyway—though for much of spring and early summer the Major League season hung in the balance as negotiations between the owners and the players’ union approached a peak of acrimony. Being...

Aug 3, 2020 The first European box-office success of the movement dubbed the New German Cinema, Volker Schlöndorff and Margarethe von Trotta’s 1975 The Lost Honor of Katharina Blum took on a hot-button issue: the paranoia provoked by homegrown terrorism and the opportunity that...

Jun 16, 2020 Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...

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