More Than Ever

Jan 28, 2020 — Motherhood is a recurring subject in the films of Pedro Almodóvar. The mothers in his movies are fierce, passionate, and resourceful—often in varying combinations, and to varying extremes. In Almodóvar’s darkly satirical fourth feature, What Have I Done to Deserve...

Jan 20, 2020 — In celebration of Federico Fellini’s 100th birthday, the director of The Farewell talks about the deeply moving final scene of Nights of Cabiria and its mixture of pain and hope.

Jan 8, 2020 — A major retrospective at the Cinémathèque française has us turning to writing by Peter Wollen, Gilberto Perez, and Jonathan Rosenbaum.

Jan 7, 2020 — Understudies everywhere should take heart at the tale of Katharine Hepburn’s long history with the role of Linda Seton, the high-spirited but reclusive heiress she plays in George Cukor’s 1938 Holiday. When the Philip Barry play the film is based...

Jan 3, 2020 — This week we’ve been reading about Orson Welles, Nina Menkes, Martin Scorsese, Luc Moullet, and the late Robert Frank.

Jan 3, 2020 — The director of Margaret and Manchester by the Sea celebrates Hollywood’s greatest humanist, whose films are featured in a series now playing on the Criterion Channel.

Dec 30, 2019 — We asked some of our friends if they had underappreciated films from the past decade that they wanted to champion. Here’s what they chose.

Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...

Dec 19, 2019 — Lists (of course), but also philosophical surveys, biographies, and coffee table books are featured in this month’s round.

Dec 11, 2019 — One Scene “Who can prove the genuineness of our feelings?” a character asks at one point in the Cannes-award-winning sci-fi drama Little Joe, the first English-language film by Austrian director Jessica Hausner. The question is as good a summation as...