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Sep 6, 2023 Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.

Aug 28, 2023 Throughout her four-decade career as a writer and director, Susan Seidelman has told complex stories about unconventional women striving to express themselves and maintain their autonomy. Her genre-melding films fuse a passion for the pleasures of Hollywood spectacle with a...

Aug 25, 2023 This week brings restorations of work by Kira Muratova, a personal story from Werner Herzog, and conversations with Kim Morgan and Dustin Guy Defa.

Aug 8, 2023 Premiering in competition, Do Not Expect Too Much from the End of the World is an immediate critical favorite.

Aug 1, 2023 “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...

Locarno Highlights

The Daily

Aug 1, 2023 This year’s festival will premiere new work from Lav Diaz, Radu Jude, and Lucy Kerr and host conversations with Harmony Korine and Tsai Ming-liang.

Jul 28, 2023 This week: Stephanie Zacharek’s hundred favorites, Peter Wollen on the British New Wave, and a conversation with Hong Sangsoo.

Jul 27, 2023 The Museum of the Moving Image celebrates fifty years of hip-hop with a twelve-film series.

Jul 25, 2023 A master class in dramatic tension and pacing, Carl Franklin’s neonoir masterpiece explores the desperate energy and desperate deeds that fuel real crime.

Jul 12, 2023 The award-winning actor talks about training with Lee Strasberg, her involvement in the Actors Studio, and her on- and off-screen contributions to two of her most important films.

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