The Criterion Collection
Dec 14, 2021 — In 1968, soon after he graduated from the Film and Television Institute of India, Mani Kaul made an arresting short titled Forms and Designs. It observes artisans at work across the country, some swimming alone against the tide of mass...
Mar 27, 2012 — Noël Coward and David Lean created a patriotic diptych with their first two films: In Which We Serve, from 1942, about the bravery and sacrifice of British sailors and those who love them, and the 1944 This Happy Breed, on...
Aug 31, 2011 — French sociologist Roger Caillois proposed that every form of human recreation could be placed somewhere on a continuum between two terms: ludus and paidia. The first of these represents games defined almost wholly by their rule systems. Crossword puzzles and...
Jan 18, 2011 — By 1963, when he started filming Shock Corridor on a rented soundstage, Samuel Fuller had come ruefully and puckishly to view himself as a “Lindy,” a diminutive for Charles Lindbergh designating a prostitute who, like the famous aviator, operates solo,...
On the Channel
Aug 31, 2020 — Documentaries lead the charge this month on the Criterion Channel, with a wide-ranging offering of nonfiction films as formally imaginative and emotionally riveting as any scripted drama.
On the Channel
May 14, 2026 — Channel Calendars This month on the Criterion Channel, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals...
The Daily
Nov 2, 2020 — He became a star in the 1960s as 007 and carried on winning over fresh waves of fans through the 1990s.
Essays
Oct 25, 2009 — Costa-Gavras’s 1969 political assassination thriller Z appeared at the end of a decade of burgeoning cultural change and rampant paranoia. In the United States, this Algerian-French coproduction sparked a sensation, not just relaying the European political crisis but perfectly capturing...
Features
Sep 1, 2020 — It’s not impossible to be a lazy, shrug-it-off filmmaker, just as it isn’t to be a lazy painter or novelist, or, more to the point, a lazy comic artist, drawing each picture merely once and then moving on. (You could...