INDEPENDIENTE

Sep 29, 2018 — This “lean but evocative allegory” can be read in a surprising number of ways.

Sep 24, 2018 — All four finalists in the running for Britain’s best-known art award work with moving images.

Sep 21, 2018 — This week’s round of five highlights begins with a new column and a new issue of Film Quarterly.

Sep 14, 2018 — Agnès Varda returns to Interview, David Lynch talks about his art, and more.

Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.

Sep 7, 2018 — F ew filmographies encapsulate the rebellious spirit of American cinema in the seventies better than that of Hal Ashby, who crafted an astonishing string of movies that stretched across the span of the decade. Finding success as an editor early...

Sep 6, 2018 — Repertory Picks Tomorrow, as part of its stalwart Summer Double Features series, New York City’s recently reopened Film Forum will give the big-screen treatment to a pair of strange—but strangely fitting—bedfellows: John Waters’ Female Trouble and Leonard Kastle’s The Honeymoon...

Aug 30, 2018 — A solid first round of reviews for the Venice opener—and for Ryan Gosling’s performance as Neil Armstrong.

Aug 20, 2018 — A haven for punks and drifters, 1980s downtown New York is captured in all its grit and romance in Susan Seidelman’s Palme d’Or–nominated debut feature.

Aug 20, 2018 — The star and producer of The Ballad of Gregorio Cortez made a trailblazing intervention in an iconically American genre, creating an indelible portrait of a Latino American hero.