When producer-star Edward James Olmos set out with director Robert M. Young to bring the saga of turn-of-the-century Mexican American farmer Gregorio Cortez to the screen, they wanted to foreground a perspective that had long been marginalized in the western. With The Ballad of Gregorio Cortez, which blazed a trail through the world of independent cinema upon its release in 1982, the filmmakers accomplished a bold revision of an iconically American genre, whose history had long been marred by problematic representations of characters of color. As Olmos says in a supplement on our new edition of the film, a true Latino American hero hadn’t been seen in cinema until Gregorio Cortez, and this breakthrough in representation helped jump-start the Chicano film movement that would flourish in the ’80s. “The importance of this film is monumental,” he says in the clip above, going on to explain why making the movie remains the “most enjoyable and difficult” experience in his acclaimed career.
How Jane Fonda’s Feminist Awakening Collided with Klute
The Oscar-winning actor remembers how her heightened political consciousness in the early 1970s led to her initial hesitation to take on the leading role in Alan J. Pakula’s psychological thriller.
Agnieszka Holland’s Ironic Slant on the Unspeakable
The acclaimed Polish director explains how her international breakthrough film, Europa Europa, was inspired by a desire to tell a different, less predictable kind of Holocaust story.