When producer-star Edward James Olmos set out with director Robert M. Young to bring the saga of turn-of-the-century Mexican American farmer Gregorio Cortez to the screen, they wanted to foreground a perspective that had long been marginalized in the western. With The Ballad of Gregorio Cortez, which blazed a trail through the world of independent cinema upon its release in 1982, the filmmakers accomplished a bold revision of an iconically American genre, whose history had long been marred by problematic representations of characters of color. As Olmos says in a supplement on our new edition of the film, a true Latino American hero hadn’t been seen in cinema until Gregorio Cortez, and this breakthrough in representation helped jump-start the Chicano film movement that would flourish in the ’80s. “The importance of this film is monumental,” he says in the clip above, going on to explain why making the movie remains the “most enjoyable and difficult” experience in his acclaimed career.
A Subtler Side of the Hepburn-Grant Magic
Filmmaker and distributor Michael Schlesinger and critic Michael Sragow dive into the pleasures of Holiday, a romantic-comedy classic that has long stood in the shadow of The Philadelphia Story but has a poignancy all its own.
Wim Wenders Looks Back on the Digital Future He Predicted
From search engines to all-engrossing handheld devices, the technologies that the German director conjured for his 1991 opus Until the End of the World are now common features of contemporary life.
John Bailey Breaks Down a Tour de Force of Gothic Lighting
The veteran cinematographer takes a close look at the highly stylized and atmospheric lighting in one of the most pivotal scenes in pre-Code classic The Story of Temple Drake.
All About Mankiewicz
One of the most celebrated Hollywood writer-directors of his time, Joseph L. Mankiewicz offers a window into the way he sees his characters in this illuminating clip from an archival interview.