When producer-star Edward James Olmos set out with director Robert M. Young to bring the saga of turn-of-the-century Mexican American farmer Gregorio Cortez to the screen, they wanted to foreground a perspective that had long been marginalized in the western. With The Ballad of Gregorio Cortez, which blazed a trail through the world of independent cinema upon its release in 1982, the filmmakers accomplished a bold revision of an iconically American genre, whose history had long been marred by problematic representations of characters of color. As Olmos says in a supplement on our new edition of the film, a true Latino American hero hadn’t been seen in cinema until Gregorio Cortez, and this breakthrough in representation helped jump-start the Chicano film movement that would flourish in the ’80s. “The importance of this film is monumental,” he says in the clip above, going on to explain why making the movie remains the “most enjoyable and difficult” experience in his acclaimed career.
Charles Burnett Calls Forth the Ghosts of the Old World
In an interview program on our edition of To Sleep with Anger, the director and his actors discuss the African-American folkloric traditions at the heart of the film.
Liv Ullmann Recalls “Shattering” Moments on the Set of Shame
While working on Ingmar Bergman’s devastating antiwar film, the actress developed an emotionally intense chemistry with her costar Max von Sydow.
The Real-Life Rage That Fueled Lee Grant in In the Heat of the Night
In this excerpt from a new interview, the actor talks about how she channeled her political anger in the role of a distraught widow in Norman Jewison’s Oscar-winning crime drama.