When producer-star Edward James Olmos set out with director Robert M. Young to bring the saga of turn-of-the-century Mexican American farmer Gregorio Cortez to the screen, they wanted to foreground a perspective that had long been marginalized in the western. With The Ballad of Gregorio Cortez, which blazed a trail through the world of independent cinema upon its release in 1982, the filmmakers accomplished a bold revision of an iconically American genre, whose history had long been marred by problematic representations of characters of color. As Olmos says in a supplement on our new edition of the film, a true Latino American hero hadn’t been seen in cinema until Gregorio Cortez, and this breakthrough in representation helped jump-start the Chicano film movement that would flourish in the ’80s. “The importance of this film is monumental,” he says in the clip above, going on to explain why making the movie remains the “most enjoyable and difficult” experience in his acclaimed career.
Finding the Life of the Party in Cold Water
Olivier Assayas revived the spirit of the 1970s in one of cinema’s most evocative party sequences, which serves as the centerpiece of his acclaimed 1994 film.
Undressing Souls in Scenes from a Marriage
What does it take for actors to be completely vulnerable with each other? Liv Ullmann and Erland Josephson reflect on the close friendship that informed their work in one of Ingmar Bergman’s most ambitious dramas.