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No one has influenced modern filmmaking more than this French New Wave pioneer. He was one of our greatest lyricists on historical trauma, religion, and the legacy of cinema.

Oct 27, 2008 — Variety reported today that Mike Nichols is getting ready to direct a remake of Akira Kurosawa’s beloved 1963 thriller High and Low, from a new screenplay by David Mamet, and likely to be executive produced by Martin Scorsese, who originally...

A singular, iconoclastic artist and philosopher, Bresson illuminates the history of cinema with a spiritual yet socially incisive body of work.

Candy-colored, lush, lurid—all words that have been used to describe the glory of Technicolor.

After making his mark in the early thirties with two very different films, this French master closed out the decade with two humanistic studies of French society that routinely turn up on lists of the greatest films ever made.

Once widely misunderstood, this French master of suspense dealt in misanthropic, black-humored tales and is now recognized to be among the greatest directors of the 1950s.

This Swedish master made existential and soul-searching films that constitute one of the richest bodies of work in the history of cinema.

Oct 21, 2008 — TECHNICOLOR, ROME—What a day! After spending the morning with Antonio Salvatori, the original color timer on Rosi’s The Moment of Truth and Antonioni’s Identification of a Woman, we were lucky enough to run into the great master Giuseppe Rotunno, who...

Oct 9, 2008 — Lola Montès, Max Ophuls’s final film and some would say greatest masterpiece, opened today in New York and Los Angeles in what is being touted as the definitive restoration. Butchered by its producers and a flop on initial release in...

Oct 6, 2008 — Jean-Pierre Melville’s ninth and to that point most commercially successful feature in France, was an important watershed in the director’s career.